Review of Indian Arrivals in The Review of English Studies
Máire Ní Fhlathúin’s review of Indian Arrivals, published in 2016 in The Review of English Studies has just come to our attention. The piece contains high praise for the book: […]
Kate McLoughlin: “Elleke Boehmer: Lammergeyer and Gogga”
Prof. Kate McLoughlin (Oxford) has written a blog post on a memorable scene in The Shouting in the Dark for the TORCH blog: The scene that stays with me from
Article in the Leidsch Dagblad about the Indische Letterenlezing
Anika van de Wijngaard has written an article (in Dutch) in the Leidsch Dagblad about Elleke’s ‘Indische Letterenlezing’ on 22 September. Read it here
New Indian Arrivals review in Interventions
A detailed new review of Indian Arrivals, written by Anshuman A. Mondal, has been published in Volume 19, Issue 5 of Interventions (May 2017). In particular, Mondal praises Boehmer’s ‘extraordinarily
Indian Arrivals mentioned in SEL
Jeffrey N. Cox includes a short synopsis of Indian Arrivals in his article “Recent Studies in the Nineteenth Century” in Studies in English Literature 1500-1900, 56/4 (2016). He observes: Boehmer discovers in
Writing Migrant Lives in the South: A Conversation between Elleke Boehmer and Meg Samuelson
Newly published in the Sydney Review of Books: This conversation between Elleke Boehmer and Meg Samuelson began in a book-talk seminar hosted by the Institute for Humanities in Africa at
Moving Worlds review of The Shouting in the Dark
A new review for The Shouting in the Dark is in the latest issue of Moving Worlds: A Journal of Transcultural Writings (16.2). Writer Melissa de Villiers calls it a “fine coming-of-age
Biblio review of The Shouting in the Dark
Tabish Khair has written as evocative review of The Shouting in the Dark in the September–November 2016 issue of Biblio: A Review of Books: A haunting evocation of a childhood,
With passion, intelligence, and rare moral insight, Elleke Boehmer traces the scars left on the psyche by the tortuous histories of the South. —J. M. Coetzee
The delicate intersection between the personal and the political has seldom been so skilfully explored; readable, tangible and haunting. —Naomi Wolf